"Dido & Aeneas, Z. 626: Dido & Aeneas, Z. 626: Act III, "When I am laid in earth" (Dido's lament)" by Henry Purcell, Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs was released on July 31, 2007. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 39 in the song's album "Purcell: Dido & Aeneas". In this album, this song's track order is #38. Based on our statistics, Dido & Aeneas, Z. 626: Dido & Aeneas, Z. 626: Act III, "When I am laid in earth" (Dido's lament)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido & Aeneas, Z. 626: Dido & Aeneas, Z. 626: Act III, "When I am laid in earth" (Dido's lament) by Henry Purcell, Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5e livre de viole: Prélude en harpègement: rondement | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 0 | 1A | 98 BPM | ||
Dido and Aeneas / Act 3: "But Death alas!".."When I am laid in earth" | Henry Purcell, Dame Janet Baker, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis | G Minor | 1 | 6A | 80 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 129 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 39 "Erbarme dich" | Johann Sebastian Bach, Michael Chance, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 0 | 3A | 94 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
L'Orfeo: Prologue: Ritornello - La Musica : "Dal mio Permesso amato" | Claudio Monteverdi, Efrat Ben Nun, René Jacobs, Concerto Vocale | D Minor | 1 | 7A | 76 BPM |
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