- BPM
- 70
- Key
- F Major
- Camelot
- 7B
Don Giovanni, K.527, Act II, Scena quinta: Ah, signor! Per carita! (Leporello/Don Giovanni) - Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker Information
- Acousticness
- 99%
- Danceability
- 55%
- Energy
- 24%
- Instrumentalness
- 1%
- Liveness
- 46%
- Loudness
- 70%
- Speechiness
- 9%
- Valence
- 45%
- Popularity
- 3%
- Loudness
- -18.208 dB
Summary
Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker made "Don Giovanni, K.527, Act II, Scena quinta: Ah, signor! Per carita! (Leporello/Don Giovanni)" available on October 31, 1988. With Don Giovanni, K.527, Act II, Scena quinta: Ah, signor! Per carita! (Leporello/Don Giovanni) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 12 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Don Giovanni, K.527, Act II, Scena quinta: Ah, signor! Per carita! (Leporello/Don Giovanni) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Don Giovanni, K.527, Act II, Scena quinta: Ah, signor! Per carita! (Leporello/Don Giovanni) BPM
We consider the tempo marking of Don Giovanni, K.527, Act II, Scena quinta: Ah, signor! Per carita! (Leporello/Don Giovanni) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Don Giovanni, K.527, Act II, Scena quinta: Ah, signor! Per carita! (Leporello/Don Giovanni) Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nabucco / Act 4: Oh, dischiuso è il firmamento! | Giuseppe Verdi, Lucia Valentini Terrani, Lucia Popp, Plácido Domingo, Yevgeny Nesterenko, Kurt Rydl, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | F Major | 1 | 7B | 108 BPM | |
 | Die Walküre / Dritter Aufzug: "Leb wohl, du kühnes, herrliches Kind" | Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | C Major | 6 | 8B | 80 BPM | |
 | Le nozze di Figaro, K.492 / Act 3: N. 17. Duettino: “Crudel! Perché finora farmi languir così?” | Wolfgang Amadeus Mozart, Thomas Hampson, Christiane Karg, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A Major | 1 | 11B | 113 BPM | |
 | Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Sir Roger Norrington, Andreas Schmidt, Nancy Argenta, London Classical Players | D♭ Major | 1 | 3B | 178 BPM | |
 | Die Fledermaus / Act 2: "Mein Herr Marquis" - Edit | Johann Strauss II, Erika Köth, Regina Resnik, Eberhard Wächter, Walter Berry, Waldemar Kmentt, Hedwig Schubert, Hilde Gueden, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 93 BPM | |
 | Madama Butterfly / Act 2: Suzuki! Suzuki! Dove sei? | Giacomo Puccini, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | |
 | Lohengrin, WWV 75 / Act 3: "Atmest du nicht mit mir die süßen Düfte?" | Richard Wagner, Plácido Domingo, Jessye Norman, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 80 BPM | |
 | Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | |
| Madama Butterfly / Act 1: Ecco. Son giunte al sommo del pendio | Giacomo Puccini, Herbert von Karajan, Wiener Philharmoniker, Vienna State Opera Chorus, Michel Sénéchal, Mirella Freni, Robert Kerns, Luciano Pavarotti | B♭ Minor | 1 | 3A | 86 BPM | |
 | Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 73 BPM |
- ISRC
- GBAYC9004438
- Label
- L-M Records/RCA Records
Section: 1.1484732627868652
End: 1.1531867980957031