Johann Strauss II, Erika Köth, Regina Resnik, Eberhard Wächter, Walter Berry, Waldemar Kmentt, Hedwig Schubert, Hilde Gueden, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan's 'Die Fledermaus / Act 2: "Mein Herr Marquis" - Edit' came out on January 1, 2009. The duration of Die Fledermaus / Act 2: "Mein Herr Marquis" - Edit is about 3 minutes long, at 3:21. Based on our data, "Die Fledermaus / Act 2: "Mein Herr Marquis" - Edit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 20 in Die Fledermaus - Highlights by Johann Strauss II, Wiener Philharmoniker, Vienna State Opera Chorus, Herbert von Karajan. In terms of popularity, Die Fledermaus / Act 2: "Mein Herr Marquis" - Edit is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Fledermaus / Act 2: "Mein Herr Marquis" - Edit by Johann Strauss II, Erika Köth, Regina Resnik, Eberhard Wächter, Walter Berry, Waldemar Kmentt, Hedwig Schubert, Hilde Gueden, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 : An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 | Strauss Festival Orchestra, Johann Strauss II | D Major | 0 | 10B | 91 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Peter in the meadow | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 115 BPM | ||
Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
La Bayadere: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 99 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM |
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