"Carmina Burana: Veni Veni Venias" by Sofia Philharmonic Orchestra, Bulgarian Choir Cappella was released on January 1, 2003. With Carmina Burana: Veni Veni Venias being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 20 out of 25 in Carl Orff: Carmina Burana by Sofia Philharmonic Orchestra. Carmina Burana: Veni Veni Venias is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmina Burana: Veni Veni Venias by Sofia Philharmonic Orchestra, Bulgarian Choir Cappella is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jephtas Gelübde, Act I: Introduction. Fröhliches Leben (Chorus, Tirza) | Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi | D Major | 1 | 10B | 111 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Raymond Leppard, English Chamber Orchestra | D♭ Minor | 2 | 12A | 93 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Evelyne Dubourg, Sofia Philharmonic Orchestra, Nicholas Uljanov | G Minor | 0 | 6A | 72 BPM | ||
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers), Act I: Gia d'insolito ardore nel petto | Gioachino Rossini, Michele Pertusi, Sofia Philharmonic Orchestra, Emil Tabakov | A♭ Major | 2 | 4B | 98 BPM |
Section: 0.7509853839874268
End: 0.7565732002258301