Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi's 'Jephtas Gelübde, Act I: Introduction. Fröhliches Leben (Chorus, Tirza)' came out on March 24, 2023. Jephtas Gelübde, Act I: Introduction. Fröhliches Leben (Chorus, Tirza) is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Dario Salvi's "Meyerbeer: Jephtas Gelübde" album is number 2 out of 31. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Jephtas Gelübde, Act I: Introduction. Fröhliches Leben (Chorus, Tirza) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jephtas Gelübde, Act I: Introduction. Fröhliches Leben (Chorus, Tirza) by Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Scottish Fantasy, Op. 46: II. Scherzo. Allegro - Adagio | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act III: Debout matelots , l'équipage debout ! | Giacomo Meyerbeer, Isaac Lee, Patrick Henckens, Thomas Charrois, Hyeonjoon Kwon, Frankfurt Opera Chorus, Antonello Manacorda, Frankfurter Opern- und Museumsorchester | C Major | 2 | 8B | 133 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | F Major | 0 | 7B | 105 BPM | ||
Mozart: Symphony No. 40 in G Minor, K. 550: IV. Allegro assai | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 136 BPM | ||
Robert le Diable, Act II: Finale. La trompette guerrière | Giacomo Meyerbeer, Amina Edris, Erin Morley, Nico Darmanin, Nicolas Courjal, Chœur de l'Opéra National de Bordeaux, Orchestre National Bordeaux Aquitaine, Marc Minkowski | C Major | 2 | 8B | 87 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | F Major | 2 | 7B | 135 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Trumpet Concerto in E-Flat Major, Hob.VIIe:1: II. Andante | Joseph Haydn, John Wallace, Christopher Warren-Green, Philharmonia | B♭ Minor | 2 | 3A | 172 BPM |
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