"Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi" by Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury was released on March 18, 2002. With Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi Gloria by Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury. The song's track number on the album is #8 out of 30 tracks. In terms of popularity, Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi by Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah: Part 1, Thus saith the Lord of Hosts (Accompagnato, Bass) | The Sixteen | D♭ Minor | 4 | 12A | 102 BPM | ||
Victoria: Ave Maria, for Double Choir - 1. Ave Maria, gratia plena | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | A Minor | 1 | 8A | 93 BPM | ||
Magnificat, BWV 243a: Magnificat, BWV 243a: I. Magnificat anima mea | Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent | D Major | 4 | 10B | 96 BPM | ||
Jubilate Deo | Benjamin Britten, Choir of St. John's College, Cambridge, Iain Farrington, Christopher Robinson | C Major | 0 | 8B | 107 BPM | ||
Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris | Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Michael Chance | B♭ Minor | 1 | 3A | 101 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: V. Deposuit potentes | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | F♯ Minor | 2 | 11A | 131 BPM | ||
Messiah / Part 1: "And The Glory Of The Lord" | George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | ||
Es ist ein Ros entsprungen | Michael Praetorius, Voces8 | E Major | 0 | 12B | 129 BPM | ||
Verleih uns Frieden gnädiglich | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A♭ Major | 2 | 4B | 87 BPM | ||
Rejoice, rejoice, with heart and voice | William Byrd, The Choir Of Trinity College, Cambridge | C Major | 1 | 8B | 172 BPM |
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