Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris
Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Michael Chance
Vivaldi: Gloria, RV 589 - Dixit Dominus, RV 594 & Magnificat, RV 610
2:24 March 18, 2002
BPM
101
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris - Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Michael Chance Information

Acousticness
95%
Danceability
45%
Energy
6%
Instrumentalness
7%
Liveness
21%
Loudness
63%
Speechiness
3%
Valence
39%
Popularity
Loudness
-21.924 dB

Summary

Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Michael Chance's 'Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris' came out on March 18, 2002. The duration of Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Gloria, RV 589 - Dixit Dominus, RV 594 & Magnificat, RV 610 by Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury. The song's track number on the album is #9 out of 30 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris BPM

Since Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris by Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Michael Chance has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris Key

B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pergolesi: Confitebor: IV. Redemptionem misit by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiPergolesi: Confitebor: IV. Redemptionem misitGiovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiF♯ Minor211A120 BPM
Concerto for 2 Violins in A Minor, Op. 3 No. 8, RV 522: Concerto for 2 Violins in A Minor, Op. 3, No. 8, RV 522 by Antonio Vivaldi, Fabio Biondi, Davide Amodio, Concerto Italiano, Rinaldo AlessandriniConcerto for 2 Violins in A Minor, Op. 3 No. 8, RV 522: Concerto for 2 Violins in A Minor, Op. 3, No. 8, RV 522Antonio Vivaldi, Fabio Biondi, Davide Amodio, Concerto Italiano, Rinaldo AlessandriniD Minor17A118 BPM
The King shall rejoice: The King shall rejoice by George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen CleoburyThe King shall rejoice: The King shall rejoiceGeorge Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen CleoburyD♭ Major23B114 BPM
Vespers of 1610: Pulchra es by Claudio Monteverdi, Grace Davidson, Charlotte Mobs, Harry Christophers, The SixteenVespers of 1610: Pulchra esClaudio Monteverdi, Grace Davidson, Charlotte Mobs, Harry Christophers, The SixteenG Major09B87 BPM
Concerto For Strings In D Minor, RV 128: II. Largo by Sonatori de la Gioiosa Marca, Antonio VivaldiConcerto For Strings In D Minor, RV 128: II. LargoSonatori de la Gioiosa Marca, Antonio VivaldiD Minor17A0 BPM
L'Orfeo - Act 1: Lasciate i monti by Claudio Monteverdi, New London Consort, Philip PickettL'Orfeo - Act 1: Lasciate i montiClaudio Monteverdi, New London Consort, Philip PickettG Major29B113 BPM
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto by Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic OrchestraSinfonia In G Major, Wq. 183/4, H. 666: III. PrestoCarl Philipp Emanuel Bach, Salzburg Chamber Philharmonic OrchestraA Minor28A80 BPM
Mass No. 10 in C Major, Hob. XXII:9, Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundiJoseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen BurdickD♭ Minor212A81 BPM
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro by Francesco Geminiani, Capella Istropolitana, Jaroslav KrcekConcerto Grosso in E Minor, Op. 3, No. 3: IV. AllegroFrancesco Geminiani, Capella Istropolitana, Jaroslav KrcekE Minor39A144 BPM
The Creation, Hob.XXI,2: Pt. 1, Now Vanish Before the Holy Beams by Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry ChristophersThe Creation, Hob.XXI,2: Pt. 1, Now Vanish Before the Holy BeamsJoseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry ChristophersF Major27B101 BPM
ISRC
GBAYC0102846
Label
L-M Records/RCA Records

Section: 0.6975035667419434

End: 0.7024552822113037