Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Michael Chance's 'Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris' came out on March 18, 2002. The duration of Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Gloria, RV 589 - Dixit Dominus, RV 594 & Magnificat, RV 610 by Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury. The song's track number on the album is #9 out of 30 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris by Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Michael Chance has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Concerto for 2 Violins in A Minor, Op. 3 No. 8, RV 522: Concerto for 2 Violins in A Minor, Op. 3, No. 8, RV 522 | Antonio Vivaldi, Fabio Biondi, Davide Amodio, Concerto Italiano, Rinaldo Alessandrini | D Minor | 1 | 7A | 118 BPM | ||
The King shall rejoice: The King shall rejoice | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury | D♭ Major | 2 | 3B | 114 BPM | ||
Vespers of 1610: Pulchra es | Claudio Monteverdi, Grace Davidson, Charlotte Mobs, Harry Christophers, The Sixteen | G Major | 0 | 9B | 87 BPM | ||
Concerto For Strings In D Minor, RV 128: II. Largo | Sonatori de la Gioiosa Marca, Antonio Vivaldi | D Minor | 1 | 7A | 0 BPM | ||
L'Orfeo - Act 1: Lasciate i monti | Claudio Monteverdi, New London Consort, Philip Pickett | G Major | 2 | 9B | 113 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Minor | 2 | 12A | 81 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, Now Vanish Before the Holy Beams | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers | F Major | 2 | 7B | 101 BPM |
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