Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent made "Magnificat, BWV 243a: Magnificat, BWV 243a: I. Magnificat anima mea" available on December 17, 2002. The duration of Magnificat, BWV 243a: Magnificat, BWV 243a: I. Magnificat anima mea is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Magnificat, BWV 243a: Magnificat, BWV 243a: I. Magnificat anima mea's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 23 in Bach: Magnificat, BWV 243a & Christmas Cantata, BWV 63 by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Magnificat, BWV 243a: Magnificat, BWV 243a: I. Magnificat anima mea is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Magnificat, BWV 243a: Magnificat, BWV 243a: I. Magnificat anima mea by Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dettingen Te Deum: II. All The Earth Does Worship Thee | George Frideric Handel, Christopher Tipping, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | D♭ Major | 1 | 3B | 124 BPM | ||
Vidales: Los que fueron de buen gusto, Xácara in D Minor | Francisco de Vidales, Taverner Consort, Taverner Players, Andrew Parrott | C Major | 1 | 8B | 127 BPM | ||
O Jesulein süss | Anonymous, Anne Sofie von Otter, Ulf Forsberg, Ulrika Jansson, Torbjörn Helander, Ole Karlsson | G Minor | 0 | 6A | 81 BPM | ||
L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae | E Major | 0 | 12B | 86 BPM | ||
Shepherds in the Field Abiding (music: Gloria) (arr. D. Willcocks for choir): Shepherds, in the field abiding | Edward Shippen Barnes, The Cambridge Singers, John Rutter | A Major | 1 | 11B | 110 BPM | ||
Comfort Ye My People | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | B Major | 0 | 1B | 86 BPM | ||
Schemelli: O Jesulein Süss | Georg Christian Schemelli, Edward Higginbottom | A Major | 0 | 11B | 120 BPM | ||
Die Deutsche Liturgie, MWV B 57: III. Kyrie | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 86 BPM | ||
Rachmaninov: Vespers, Op. 37: VI. Bogoroditse Devo | Sergei Rachmaninoff, Choir of King's College, Cambridge, Cambridge, Stephen Cleobury, City of London Sinfonia | E♭ Minor | 0 | 2A | 80 BPM | ||
O di Betlemme, altera poverta ventu: I. Sinfonia | Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Major | 0 | 11B | 77 BPM |
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