- BPM
- 172
- Key
- C Major
- Camelot
- 8B
Rejoice, rejoice, with heart and voice - William Byrd, The Choir Of Trinity College, Cambridge Information
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 10%
- Instrumentalness
- 86%
- Liveness
- 30%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 42%
- Popularity
- 8%
- Loudness
- -24.699 dB
Summary
William Byrd, The Choir Of Trinity College, Cambridge made "Rejoice, rejoice, with heart and voice" available on August 30, 1995. With Rejoice, rejoice, with heart and voice being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 56 in Carols From Trinity by The Choir Of Trinity College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Rejoice, rejoice, with heart and voice is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Rejoice, rejoice, with heart and voice BPM
The tempo marking of Rejoice, rejoice, with heart and voice by William Byrd, The Choir Of Trinity College, Cambridge is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Rejoice, rejoice, with heart and voice Key
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | O Come, O Come, Emmanuel | Chanticleer | B Minor | 1 | 10A | 124 BPM | |
 | Away in a Manger (arr. J. Rutter): Away in a manger | James Ramsey Murray, The Cambridge Singers, Cambridge Orchestra, John Rutter | G Major | 0 | 9B | 82 BPM | |
 | The Day Thou Gavest, Lord, Is Ended | King's College Choir, Sir David Willcocks | A♭ Major | 2 | 4B | 82 BPM | |
 | Carol of the Magi | John Rutter, Tim Gill, The Cambridge Singers, Royal Philharmonic Orchestra, Gabriel Crouch | E♭ Major | 1 | 5B | 120 BPM | |
 | Love Divine ("Blaenwern") (Royal duty) | The Choir Of Westminster Abbey, London Brass, Martin Neary, Iain Simcock, Martin Baker | G Major | 1 | 9B | 136 BPM | |
 | Christus: III. Choral "Es wird ein Stern aus Jacob aufgehn" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Major | 2 | 11B | 76 BPM | |
 | Masses, Book 5: Missa Aeterna Christi munera: Agnus Dei | Giovanni Pierluigi da Palestrina, Oxford Camerata, Jeremy Summerly | E Major | 3 | 12B | 98 BPM | |
 | Missa Gabriel Archangelus: Et incarnatus est | Giovanni Pierluigi da Palestrina, Regensburg Cathedral Choir, Roland Buechner | B Minor | 1 | 10A | 82 BPM | |
 | O taste and see | Ralph Vaughan Williams, Mary Seers, The Cambridge Singers, John Rutter | F♯ Major | 0 | 2B | 85 BPM | |
 | Motets for 5-8 Voices: Book 5 for 5 Voices: Exsultate Deo | Giovanni Pierluigi da Palestrina, The Cambridge Singers | A Major | 2 | 11B | 68 BPM |
- ISRC
- GBARU9300276
- Label
- L-M Records/RCA Records
Section: 0.9057321548461914
End: 0.9099118709564209