Giovanni Pierluigi da Palestrina, The Cambridge Singers's 'Motets for 5-8 Voices: Book 5 for 5 Voices: Exsultate Deo' came out on March 1, 2009. The duration of Motets for 5-8 Voices: Book 5 for 5 Voices: Exsultate Deo is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Motets for 5-8 Voices: Book 5 for 5 Voices: Exsultate Deo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 20 in Choral Concert: Cambridge Singers - Gabrieli, G. / Monteverdi, C. / Palestrina, G.P. Da / Lasso, O. Di / Sweelinck, J.P. (The Sacred Flame) by The Cambridge Singers, John Rutter. Motets for 5-8 Voices: Book 5 for 5 Voices: Exsultate Deo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Motets for 5-8 Voices: Book 5 for 5 Voices: Exsultate Deo by Giovanni Pierluigi da Palestrina, The Cambridge Singers is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Surrexit Pastor Bonus | Oxford Camerata, Jean L'héritier | F Minor | 0 | 4A | 131 BPM | ||
L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": L’enfance du Christ, Op. 25: The shepherds' farewell | Hector Berlioz, The Cambridge Singers, City of London Sinfonia, John Rutter | E Major | 0 | 12B | 81 BPM | ||
Messiah, HWV 56 / Pt. 2: 20. Chorus: Behold the Lamb of God | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 1 | 11A | 135 BPM | ||
I saw a fair maiden | Peter Warlock, The Cambridge Singers, John Rutter | F Major | 0 | 7B | 127 BPM | ||
Mass A 4: Sanctus | Oxford Camerata, William Byrd | A♭ Major | 1 | 4B | 71 BPM | ||
Bogoróditse Dyevo | Arvo Pärt, Choir of King's College, Cambridge, Stephen Cleobury | A Major | 1 | 11B | 132 BPM | ||
Dormi Jesu | Kim André Arnesen, Kantorei of Kansas City, Chris Munce | D♭ Major | 0 | 3B | 129 BPM | ||
The King Of Love | The Concordia Choir | E♭ Major | 0 | 5B | 175 BPM | ||
Vivaldi: Gloria in D Major, RV 589: IV. Gratias agimus tibi & V. Propter magnam gloriam | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E♭ Major | 3 | 5B | 146 BPM | ||
Adieu, sweet Amaryllis | John Wilbye, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 127 BPM |
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