- BPM
- 127
- Key
- F♯ Minor
- Camelot
- 11A
Adieu, sweet Amaryllis - John Wilbye, The Cambridge Singers, John Rutter Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 54%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 8%
- Loudness
- -27.312 dB
Summary
"Adieu, sweet Amaryllis" by John Wilbye, The Cambridge Singers, John Rutter was released on June 1, 2003. The duration of Adieu, sweet Amaryllis is about 3 minutes long, at 3:15. Based on our data, "Adieu, sweet Amaryllis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 25 out of 25 in Flora Gave Me Fairest Flowers - Elizabethan Madrigals by The Cambridge Singers, John Rutter. Based on our statistics, Adieu, sweet Amaryllis's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Adieu, sweet Amaryllis BPM
The tempo marking of Adieu, sweet Amaryllis by John Wilbye, The Cambridge Singers, John Rutter is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Adieu, sweet Amaryllis Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sing Hallelujah | The Wessex Consort, Andrew King | F Major | 1 | 7B | 78 BPM | |
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 | Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | |
 | Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | |
 | Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | |
 | Amadis / Acte II: Vous ne devez plus attendre | Jean-Baptiste Lully, Hugo Reyne, La Simphonie Du Marais, Choeur Du Marais, Thomas Van Essen, Agathe Boudet, Hélène Richer, Daniel Lalandre | F♯ Minor | 0 | 11A | 117 BPM | |
 | Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | |
 | La liberazione di Ruggiero dall'isola d'Alcina, Scene 1: Qui si può dire | Francesca Caccini, Francesca Lombardi Mazzulli, Allabastrina, La Pifarescha, Elena Sartori | G Major | 3 | 9B | 171 BPM | |
 | Battle Suite: II. Courant | Samuel Scheidt, American Brass Quintet | A Minor | 1 | 8A | 101 BPM | |
 | Les fleurs et les arbres | Camille Saint-Saëns, En Kör | E Major | 1 | 12B | 133 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6155271530151367
End: 0.6191179752349854