"Lachrimae or Seven Tears: II. Lachrimae antiquae novae" by John Dowland, Phantasm, Elizabeth Kenny was released on June 24, 2016. The duration of Lachrimae or Seven Tears: II. Lachrimae antiquae novae is about 3 minutes long, at 3:28. Based on our data, "Lachrimae or Seven Tears: II. Lachrimae antiquae novae" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 21 in Dowland: Lachrimae or Seven Tears by John Dowland, Elizabeth Kenny, Phantasm. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lachrimae or Seven Tears: II. Lachrimae antiquae novae is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lachrimae or Seven Tears: II. Lachrimae antiquae novae by John Dowland, Phantasm, Elizabeth Kenny is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manuscrit Panmure: Sarabande et Double in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Minor | 1 | 12A | 64 BPM | ||
Das Ander Buch. Ein New Künstlich Lautten Buch, 1549: Nach Willen Dein | Hans Neusidler, Joachim Held | G Minor | 0 | 6A | 130 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
The Right Honourable the Lady Clifton's Spirit, P. 45: Lady Clifton's Spirit, P. 45 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
M. Giles Hoby his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | C Minor | 1 | 5A | 104 BPM | ||
Le mouton: Canarie | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | A Minor | 1 | 8A | 113 BPM | ||
Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
Suite in G Minor, BWV 1008: II. Allemande | Johann Sebastian Bach, Dohyo Sol | B Minor | 0 | 10A | 127 BPM |
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