"Geschichten aus dem Wienerwald (Recorded 1923)" by Johann Strauss II, Maria Ivogun, Leo Blech, Staatskapelle Berlin had its release date on January 1, 1992. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Maria Ivogun, Michael Raucheisen, Leo Blech, Staatskapelle Berlin's "Maria Ivogün (Recorded 1916 - 1932)" album is number 13 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Geschichten aus dem Wienerwald (Recorded 1923)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geschichten aus dem Wienerwald (Recorded 1923) by Johann Strauss II, Maria Ivogun, Leo Blech, Staatskapelle Berlin to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Fledermaus: Waltz | Johann Strauss II, Ronnie Munro Scottish Variety Orchestra, Ronnie Munro, David Java Orchestra, Harold Collins Orchestra, Harry Davidson Orchestra, Harry Fryer Orchestra, London Coliseum Orchestra, Phil Green Theatreland Orchestra, Reginald Pursglove Orchestra, Richard Crean Orchestra, Ronnie Munro Waltz Orchestra, Studio Orchestra, Symphony Orchestra, Wynford Reynolds Orchestra | F Major | 2 | 7B | 182 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
BOCCHERINI-MINUET FROM STRING QUINTET | 101 Strings Orchestra | A Major | 1 | 11B | 86 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
Suite No. 2 for Jazz Orchestra: VII. Waltz II | Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester | G Major | 1 | 9B | 104 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Procession of the Sardar from Caucasian Sketches, Op.10 - Instrumental | Mikhail Ippolitov-Ivanov, Eugene Ormandy, Philadelphia Orchestra | E Major | 4 | 12B | 107 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto | Ludwig van Beethoven, Zubin Mehta, New York Philharmonic | D Minor | 2 | 7A | 121 BPM |