Francesco Geminiani, La Risonanza, Carlo Chiarappa made "Concerto Grosso in F Major: II. Allegro (After a. Corelli's Trio Sonata, Op. 3, No. 1)" available on October 1, 2012. With Concerto Grosso in F Major: II. Allegro (After a. Corelli's Trio Sonata, Op. 3, No. 1) being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francesco Geminiani, La Risonanza, Carlo Chiarappa's "Geminiani: Concerti Grossi tratti dalle Op. 3, 1 e 5 di Arcangelo Corelli" album is number 2 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto Grosso in F Major: II. Allegro (After a. Corelli's Trio Sonata, Op. 3, No. 1) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto Grosso in F Major: II. Allegro (After a. Corelli's Trio Sonata, Op. 3, No. 1) by Francesco Geminiani, La Risonanza, Carlo Chiarappa to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, CPE: Harpsichord Concerto in D Minor, H. 427: II. Poco andante | Carl Philipp Emanuel Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | D♭ Minor | 1 | 12A | 82 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Cello Sonata in D Minor, Op. 5, No. 2: II. Presto | Francesco Geminiani, George Ross, Alastair Ross | B Major | 0 | 1B | 93 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Rejouissance | Cologne Chamber Orchestra | A Minor | 2 | 8A | 139 BPM | ||
Flute Sonata in E Minor, Op. 3, No. 3: III. Minuet | Giovanni Benedetto Platti, Bernhard Bohm, Rainer Zipperling, Glen Wilson | E♭ Major | 0 | 5B | 123 BPM | ||
Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM |
Section: 0.7757089138031006
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