Giovanni Benedetto Platti, Bernhard Bohm, Rainer Zipperling, Glen Wilson's 'Flute Sonata in E Minor, Op. 3, No. 3: III. Minuet' came out on January 1, 1990. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Platti: Flute Sonatas". In this album, this song's track order is #11. Based on our statistics, Flute Sonata in E Minor, Op. 3, No. 3: III. Minuet's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Flute Sonata in E Minor, Op. 3, No. 3: III. Minuet by Giovanni Benedetto Platti, Bernhard Bohm, Rainer Zipperling, Glen Wilson having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Frais Et Gaillard,The17th Century Technique Of Diminution : Doen Daphne D'Over Schoone Maeght | Arts Music Recording, Rotterdam, Jacob Van Eijck, Menno van Delft, Pieter-Jan Belder, Rainer Zipperling | A Minor | 1 | 8A | 74 BPM | ||
Tartini: Flute Concerto No. 2 in G Major: I. Allegro non molto | Giuseppe Tartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | G Major | 2 | 9B | 99 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Canzona seconda a canto solo "detta la Bernardinia" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 2 | 8A | 82 BPM | ||
Cello Sonata No. 4 in A Major, I.92: IV. Allegro | Giovanni Benedetto Platti, Members of L'Arte dell'Arco, Francesco Galligioni | A Major | 2 | 11B | 148 BPM | ||
Concerti Ecclesiastici: No. 49, Sonata à 3 | Giovanni Paolo Cima, London Baroque | A♭ Minor | 2 | 1A | 52 BPM | ||
Pièces de Viole, Suite No. 1 in A Minor: IV. La mariée | Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder | G Minor | 1 | 6A | 105 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM |
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