Arts Music Recording, Rotterdam, Jacob Van Eijck, Menno van Delft, Pieter-Jan Belder, Rainer Zipperling's 'Frais Et Gaillard,The17th Century Technique Of Diminution : Doen Daphne D'Over Schoone Maeght' came out on December 20, 2006. Since Frais Et Gaillard,The17th Century Technique Of Diminution : Doen Daphne D'Over Schoone Maeght is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "The Art Of The Recorder, PJ Belder Part: 1". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. Frais Et Gaillard,The17th Century Technique Of Diminution : Doen Daphne D'Over Schoone Maeght is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Frais Et Gaillard,The17th Century Technique Of Diminution : Doen Daphne D'Over Schoone Maeght by Arts Music Recording, Rotterdam, Jacob Van Eijck, Menno van Delft, Pieter-Jan Belder, Rainer Zipperling having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in G Minor, Op. 32, No. 5: String Quartet in G Minor, Op. 32, No. 5: IV. Allegro giusto | Luigi Boccherini, Cuarteto Casals | G Minor | 2 | 6A | 129 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Concerto for Strings in F Major, RV 138: III. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
String Quartet in E-Flat Major, Op. 2 No. 1: II. Adagio | Hyacinthe Jadin, Quatuor Mosaïques | E♭ Major | 1 | 5B | 123 BPM | ||
Keyboard Sonata No. 48 in C Minor | Antonio Soler, Mateusz Borowiak | C Minor | 4 | 5A | 145 BPM | ||
Sonata No. 2 in C Major, Op. 5, G. 26: II. Largo | Luigi Boccherini, Enrico Gatti, Franco Angeleri | F Minor | 1 | 4A | 86 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.13 in F sharp major BWV858 | Daniel Barenboim | E♭ Minor | 1 | 2A | 139 BPM | ||
Bach, CPE: Concerto in G Major, Wq 169, H. 445: I. Allegro di molto | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | G Major | 2 | 9B | 133 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM |
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