"Drowning By Numbers: Trysting Fields" by Michael Nyman, Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey was released on January 1, 2013. With this song being about 5 minutes long, at 5:15, "Drowning By Numbers: Trysting Fields" by Michael Nyman, Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Spheres - Einaudi, Glass, Nyman, Pärt, Richter". In this album, this song's track order is #17. In terms of popularity, Drowning By Numbers: Trysting Fields is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Drowning By Numbers: Trysting Fields by Michael Nyman, Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in the Old Style: I. Pastorale | Alfred Schnittke, Daniel Hope, Alexey Botvinov | C Major | 1 | 8B | 66 BPM | ||
Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Bifu | Somei Satoh, Hilary Hahn, Cory Smythe | E Minor | 0 | 9A | 174 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Requiem for Cello Alone: IV. Lacrimosa | Peter Sculthorpe, Pieter Wispelwey | D Minor | 0 | 7A | 131 BPM | ||
Suite No. 4 in E Minor: Prelude X.XVII | Monsieur de Sainte-Colombe, Christian-Pierre La Marca | E♭ Minor | 1 | 2A | 123 BPM |
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