"Suite in the Old Style: I. Pastorale" by Alfred Schnittke, Daniel Hope, Alexey Botvinov was released on February 5, 2021. The duration of Suite in the Old Style: I. Pastorale is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Suite in the Old Style: I. Pastorale's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schnittke: Works for Violin and Piano". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Suite in the Old Style: I. Pastorale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite in the Old Style: I. Pastorale by Alfred Schnittke, Daniel Hope, Alexey Botvinov having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Lieder ohne Worte, Op. 102: No. 3 Presto (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 4 | 8B | 78 BPM | ||
Schubert / Transcr. Tharaud: Rosamunde, Op. 26, D. 797: No. 6, Entr'acte No. 3 | Franz Schubert, Alexandre Tharaud | B♭ Major | 1 | 6B | 79 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Cinquième concert: II. La Cupis | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 136 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Swan Lake, Op. 20, TH 12: Pas de deux (Transcr. for Solo Violin and Chamber Orchestra) | Pyotr Ilyich Tchaikovsky, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Concerto in G Minor "L'estate", Op. 8, No. 2, RV 315: I. Allegro non molto | Antonio Vivaldi, Daniel Hope, Zürcher Kammerorchester | E♭ Major | 2 | 5B | 82 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM |
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