"Abschied" by Hugo Wolf, Ian Bostridge, Antonio Pappano was released on July 10, 2006. The duration of Abschied is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Abschied's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf: Lieder by Hugo Wolf, Ian Bostridge. The song's track number on the album is #22 out of 24 tracks. Abschied is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Abschied by Hugo Wolf, Ian Bostridge, Antonio Pappano has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Abschied being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Let us garlands bring, Op. 18: Who is Silvia? | Gerald Finzi, Roderick Williams, Iain Burnside | F Major | 1 | 7B | 77 BPM | ||
Stabat Mater, FP 148: VII. Eja mater | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | E♭ Major | 3 | 5B | 182 BPM | ||
Mozart: Oiseaux, si tous les ans, K. 307 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Träumen, Op. 7 | Willy Heinz Müller, Rainer Maria Rilke, Mélanie Adami, Judit Polgar | B Minor | 2 | 10A | 88 BPM | ||
Symphony No. 14, Op. 135: II. Malagueña | Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 2 | 8B | 101 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
4 Gesänge, Op. 2: II. Schlafend trägt man mich | Alban Berg, Matthias Goerne, Daniil Trifonov | F♯ Major | 2 | 2B | 85 BPM | ||
Ach, des Knaben Augen (Lopez de Ubeda trans Heyse) from Spanisches Liederbuch | Hugo Wolf, Anne Sofie von Otter | D Major | 0 | 10B | 105 BPM |
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