"Tosca, Finalmente Mia! (Scarpia/Tosca)" by Maria Callas was released on March 3, 2003. With this song being about 5 minutes long, at 4:46, "Tosca, Finalmente Mia! (Scarpia/Tosca)" by Maria Callas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Maria Callas's "Maria Callas Live in Paris 1958" album is number 17 out of 17. Tosca, Finalmente Mia! (Scarpia/Tosca) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tosca, Finalmente Mia! (Scarpia/Tosca) by Maria Callas to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leoncavallo: Pagliacci, Act 1 Scene 2: "Qual fiamma aveva nel guardo! … Hui! Stridono lassu" (Nedda) | Ruggero Leoncavallo, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A Major | 1 | 11B | 80 BPM | ||
Cavalleria rusticana: "Regina coeli laetare" | Pietro Mascagni, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 3 | 9B | 87 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
Puccini: Tosca, Act 1 Scene 3: "Recondita armonia" (Cavaradossi, Sagrestano) | Giacomo Puccini, Maria Callas, Renato Cioni, Tito Gobbi, Victor Godfrey, Robert Bowman, Dennis Wicks, David Sellar, Eric Garrett, Carlo Felice Cillario, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Edgar Boniface | F Major | 4 | 7B | 75 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Semiramide (1997 - Remaster): Bel raggio lusinghier (Act I) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | F Major | 1 | 7B | 125 BPM | ||
Puccini: Tosca, Act 1 Scene 4: "Gente là dentro!" (Cavaradossi, Angelotti, Tosca) | Giacomo Puccini, Giuseppe Di Stefano, Franco Calabrese, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM |
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