"Leoncavallo: Pagliacci, Act 1 Scene 2: "Qual fiamma aveva nel guardo! … Hui! Stridono lassu" (Nedda)" by Ruggero Leoncavallo, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on 1955. With this song being about 5 minutes long, at 4:37, "Leoncavallo: Pagliacci, Act 1 Scene 2: "Qual fiamma aveva nel guardo! … Hui! Stridono lassu" (Nedda)" by Ruggero Leoncavallo, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Maria Callas, Giuseppe Di Stefano, Ebe Ticozzi, Tito Gobbi, Rolando Panerai, Nicola Monti, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano's "Leoncavallo - I Pagliacci/ Mascagni - Cavalleria Rusticana" album is number 6 out of 44. Leoncavallo: Pagliacci, Act 1 Scene 2: "Qual fiamma aveva nel guardo! … Hui! Stridono lassu" (Nedda) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leoncavallo: Pagliacci, Act 1 Scene 2: "Qual fiamma aveva nel guardo! … Hui! Stridono lassu" (Nedda) by Ruggero Leoncavallo, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turkish March from The Ruins of Athens, Op. 113, No. 4 | Ludwig van Beethoven, Stanley Black, London Symphony Orchestra | B♭ Major | 4 | 6B | 118 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Teresa Stratas, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | C Major | 0 | 8B | 183 BPM | ||
Carmina Burana: II. Fortune plango vulnera | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 120 BPM | ||
Serenata | Enrico Toselli, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid | E Major | 3 | 12B | 167 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | ||
Il barbiere di Siviglia: Act I: Overture - Remastered | Gioachino Rossini, Erich Leinsdorf | E Major | 3 | 12B | 96 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM |
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