Enrico Toselli, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid's 'Serenata' came out on May 15, 2011. The duration of Serenata is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Serenata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 24 in Canciones Italianas y Españolas by Alfredo Kraus, Jose Luis Lloret, Enrique Estela, Orquesta De Camara De Madrid. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of Serenata is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenata by Enrico Toselli, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pa pa pa - Die Zauberflöte | Patricia Janečková, Adam Plachetka, Orchester Viva Musica! | G Major | 5 | 9B | 112 BPM | ||
12 Songs, Op. 21: 7. Zdes' khorosho | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | B♭ Major | 2 | 6B | 130 BPM | ||
Funiculi Funicula | Luigi Denza, Richter, Alfredo Kraus, Andre Toffel, Domenico Modugno, Eleazar MartÍnez, Emilio Pericoli, Jean Febrar, Jean Febrer, Los Pianos Barracos, Violenes Magicos de Villafontana | E♭ Major | 4 | 5B | 141 BPM | ||
Doña Francisquita, Act I: Cuando un Hombre se Quiere Casar, Pt. 1 (Cardona, Fernando, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Santiago Jerico, Alfredo Kraus, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | A♭ Major | 2 | 4B | 121 BPM | ||
Lamento Borincano | Alfredo Kraus | A Major | 2 | 11B | 122 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
Les Pecheurs De Perles: Erster Akt - Del tempio al limitar | Coro della RAI di Milano, Orchestra della Rai di Milano, Pina Malagarini, Alfredo Kraus | E♭ Major | 3 | 5B | 82 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Cancion de Orfeo | Luis Bonfa, Antonio Maria, Alfredo Kraus, Carlos Riazuelo, Orquesta Filarmónica de Gran Canaria | E Minor | 2 | 9A | 82 BPM |
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