"Turangalila Symphony (1997 - Remaster): Turangalila III" by Olivier Messiaen, André Previn, London Symphony Orchestra was released on May 30, 2008. With this song being about 5 minutes long, at 5:24, "Turangalila Symphony (1997 - Remaster): Turangalila III" by Olivier Messiaen, André Previn, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Olivier Messiaen, Messiaen: Turangalîla-Symphonie & Quatuor pour la fin du temps's "Messiaen: Turangalîla-Symphonie & Quatuor pour la fin du temps" album is number 1 out of 24. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Turangalila Symphony (1997 - Remaster): Turangalila III is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalila Symphony (1997 - Remaster): Turangalila III by Olivier Messiaen, André Previn, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludes: Instants defunts (Dead Instants) | Olivier Messiaen, Håkon Austbø | D Major | 0 | 10B | 73 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Prélude VII (Palmier d'étoiles) | Federico Mompou, Arcadi Volodos | F Major | 0 | 7B | 64 BPM | ||
4 Kleine Stücke: I. Timoroso | Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward | D Major | 1 | 10B | 89 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | F♯ Minor | 1 | 11A | 95 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
Violin Sonata (version for clarinet and piano): II. Lento | Emma Johnson | E♭ Major | 0 | 5B | 73 BPM | ||
String Quartet No. 1, Op. 20: I. Allegro violento ed agitato | Alberto Ginastera, Enso String Quartet | G Major | 3 | 9B | 157 BPM |
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