"Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel)" by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra was released on April 27, 1995. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Schonberg : Verklärte Nacht, 5 Orchestral Pieces & Piano Works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | D♭ Minor | 2 | 12A | 133 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM | ||
String Quartet No. 2, Op. 10: II. Sehr rasch | Arnold Schoenberg, Malin Hartelius, Gringolts Quartet | C Major | 1 | 8B | 115 BPM | ||
L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Minor | 0 | 6A | 78 BPM | ||
24 Preludes, Op. 34: No. 10 in C-Sharp Minor | Dmitri Shostakovich, Konstantin Scherbakov | D♭ Minor | 0 | 12A | 70 BPM | ||
Scherzo | Franz Liszt, Jenő Jandó | B♭ Major | 2 | 6B | 128 BPM | ||
Kyllikki - Three Lyrical Pieces for Piano, Op. 41: III. Comodo | Jean Sibelius, Leif Ove Andsnes | B♭ Minor | 1 | 3A | 142 BPM | ||
Estampes, L. 100: 1. Pagodes | Claude Debussy, Daniel Barenboim | B Major | 0 | 1B | 68 BPM | ||
Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM |
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