Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini made "Ouverture "Wassermusik" in C Major, TWV 55:C3: VI. Harlequinade. Der schertzende Tritonus" available on 2003. With Ouverture "Wassermusik" in C Major, TWV 55:C3: VI. Harlequinade. Der schertzende Tritonus being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Zefiro, Alfredo Bernardini's "Handel: Water Musick — Telemann: Wassermusik" album is number 16 out of 29. Ouverture "Wassermusik" in C Major, TWV 55:C3: VI. Harlequinade. Der schertzende Tritonus is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ouverture "Wassermusik" in C Major, TWV 55:C3: VI. Harlequinade. Der schertzende Tritonus by Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No 2 in E minor - Presto | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | E♭ Minor | 2 | 2A | 122 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D: 3. Siciliano | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Minor | 0 | 7A | 86 BPM | ||
Canon And Gigue In D Major: 2. Gigue | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 119 BPM | ||
Cello Sonata in F Major, Op. 1, No. 1: II. Allegro | Benedetto Marcello, Collegium Pro Musica | E Major | 1 | 12B | 114 BPM |
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