"Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D: 3. Siciliano" by Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown was released on January 1, 1988. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Telemann: Trumpet Concertos". In this album, this song's track order is #16. Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D: 3. Siciliano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D: 3. Siciliano by Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: IV. Presto | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | F♯ Major | 1 | 2B | 117 BPM | ||
Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": 3. Largo ("Softly Sweet in Lydian Measures" From Oratorio 'Alexander's Feast', HWV 75) | George Frideric Handel, Albrecht Mayer, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska, Sinfonia Varsovia | A Major | 4 | 11B | 111 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Flute Concerto in D Major: III. Allegro assai | Baldassare Galuppi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | D Major | 2 | 10B | 115 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |
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