"The Queen of Spades, Op. 68, Act II Scene 4: No. 16, Сhorus "Blagodetelnitsa nasha"" by Natalia Datsko, Лидия Черных, Irina Arkhipova, Alexander Yurlov Russian State Academic Choir, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks was released on November 16, 2018. The duration of The Queen of Spades, Op. 68, Act II Scene 4: No. 16, Сhorus "Blagodetelnitsa nasha" is about 3 minutes long, at 3:02. Based on our data, "The Queen of Spades, Op. 68, Act II Scene 4: No. 16, Сhorus "Blagodetelnitsa nasha"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Tchaikovsky: The Queen of Spades, Op. 68 (Live)". In this album, this song's track order is #11. The Queen of Spades, Op. 68, Act II Scene 4: No. 16, Сhorus "Blagodetelnitsa nasha" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Queen of Spades, Op. 68, Act II Scene 4: No. 16, Сhorus "Blagodetelnitsa nasha" by Natalia Datsko, Лидия Черных, Irina Arkhipova, Alexander Yurlov Russian State Academic Choir, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino, Act I: Buona notte, mia figlia | Giuseppe Verdi, Dario Russo, Dinara Alieva, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | E Major | 2 | 12B | 80 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Et tu prétends encore | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli, Walton Groenroos | C Minor | 3 | 5A | 84 BPM | ||
Gurre-Lieder / Part 1: 3. "O, wenn des Mondes Strahlen" | Arnold Schoenberg, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 1 | 3B | 86 BPM | ||
Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Minor | 1 | 9A | 81 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
Macbeth / Act I: Coro di Streghe: "S'allontanarono!" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Major | 2 | 11B | 115 BPM | ||
Requiem in E-Flat Minor: VI. Lacrymosa | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova | E♭ Major | 0 | 5B | 167 BPM | ||
The Queen of Spades, Op. 68, Act I Scene 2: No. 10, Lisa’s Arioso "Otkuda eti slyozy, zachem one?" | Natalia Datsko, Виталий Таращенко, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | C Major | 1 | 8B | 174 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
La Bohème: Sì. Mi chiamano Mimì | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Alberta Pellegrini | B♭ Major | 2 | 6B | 126 BPM |
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