"Macbeth / Act I: Vieni t'affretta...Or tutti sorgete" by Giuseppe Verdi, Shirley Verrett, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado was released on January 1, 1976. Since Macbeth / Act I: Vieni t'affretta...Or tutti sorgete is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Macbeth by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #5 out of 31 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Macbeth / Act I: Vieni t'affretta...Or tutti sorgete's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Macbeth / Act I: Vieni t'affretta...Or tutti sorgete by Giuseppe Verdi, Shirley Verrett, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Macbeth / Act I: Vieni t'affretta...Or tutti sorgete being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 69 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Gott! - Welch Dunkel hier! | Ludwig van Beethoven, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 0 | 4B | 83 BPM | ||
Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) | Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 3 | 6B | 75 BPM | ||
Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Cherubini: Medea, Act 3: "E che? lo son Medea!" (Medea, Chorus, Giasone, Neris) | Luigi Cherubini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Miriam Pirazzini, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Major | 1 | 10B | 98 BPM | ||
La forza del destino, Act III, Scene III: Lorchè pifferi e tamburi | Giuseppe Verdi, Coro del Teatro Carlo Felice di Genova, Anna Maria Chiuri, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 1 | 8B | 116 BPM |
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