"Cherubini: Medea, Act 3: "E che? lo son Medea!" (Medea, Chorus, Giasone, Neris)" by Luigi Cherubini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Miriam Pirazzini, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on 1958. Cherubini: Medea, Act 3: "E che? lo son Medea!" (Medea, Chorus, Giasone, Neris) appears to be safe for all ages as it is not explicit. The song is number 29 out of 29 in Cherubini: Medea (1957 - Serafin) - Callas Remastered by Luigi Cherubini, Maria Callas. In terms of popularity, Cherubini: Medea, Act 3: "E che? lo son Medea!" (Medea, Chorus, Giasone, Neris) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cherubini: Medea, Act 3: "E che? lo son Medea!" (Medea, Chorus, Giasone, Neris) by Luigi Cherubini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Miriam Pirazzini, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Il barbiere di Siviglia / Act 1: Cavatina: "Ecco, ridente in cielo" | Gioachino Rossini, Ugo Benelli, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 129 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
Cherubini: Medea, Act 1: "O Armore, vieni a me!" (Glauce) | Luigi Cherubini, Renata Scotto, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 115 BPM | ||
Aida / Act 1: "Vieni, o diletta, appressati" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
Iphigénie en Tauride: Air: Divinité des grandes âmes (Gösta Winbergh) - Voice | Christoph Willibald Gluck, Orchestra Del Teatro Alla Scala, Milano | C Major | 5 | 8B | 136 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
Lakmé (1997 Digital Remaster): Où va la jeune indoue (Bell Song) | Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Minor | 1 | 11A | 131 BPM | ||
Verdi: La traviata, Act 1: "Dell'invito trascorsa e gia l'ora" (Chorus, Violetta, Flora, Marquis, Gaston, Baron) | Giuseppe Verdi, Coro Cetra, Alberto Albertini, Ede Marietti Gandolfo, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai | D Major | 3 | 10B | 150 BPM | ||
Puccini: Turandot, Act 2: "In questa Reggia" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 2 | 10B | 81 BPM |
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