Giuseppe Verdi, Coro Cetra, Alberto Albertini, Ede Marietti Gandolfo, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai made "Verdi: La traviata, Act 1: "Dell'invito trascorsa e gia l'ora" (Chorus, Violetta, Flora, Marquis, Gaston, Baron)" available on 1954. With this song being about 5 minutes long, at 5:11, "Verdi: La traviata, Act 1: "Dell'invito trascorsa e gia l'ora" (Chorus, Violetta, Flora, Marquis, Gaston, Baron)" by Giuseppe Verdi, Coro Cetra, Alberto Albertini, Ede Marietti Gandolfo, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: La traviata (1953 - Santini) - Callas Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #2 out of 44 tracks. Based on our statistics, Verdi: La traviata, Act 1: "Dell'invito trascorsa e gia l'ora" (Chorus, Violetta, Flora, Marquis, Gaston, Baron)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Verdi: La traviata, Act 1: "Dell'invito trascorsa e gia l'ora" (Chorus, Violetta, Flora, Marquis, Gaston, Baron) by Giuseppe Verdi, Coro Cetra, Alberto Albertini, Ede Marietti Gandolfo, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai has a tempo of 150 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: La traviata, Act 1: "Dell'invito trascorsa e gia l'ora" (Chorus, Violetta, Flora, Marquis, Gaston, Baron) being at 150 BPM, the half-time would be 75 BPM with a double-time of 300 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 2: "Alfredo, Alfredo, di questo core" | Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Sherrill Milnes, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Carlos Kleiber, Bavarian State Orchestra | E♭ Major | 2 | 5B | 78 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Il Trovatore / Act 1: "All'erta! all'erta!" - Live | Giuseppe Verdi, Nicola Zaccaria, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Kammerchor der Salzburger Festspiele, Roberto Benaglio | B♭ Major | 3 | 6B | 99 BPM | ||
Il Trovatore / Act 1: "Che più t'arresti?" - Live | Giuseppe Verdi, Laurence Dutoit, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM | ||
Cherubini: Medea, Act 2: "Hai dato pronto ascolto" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | B♭ Major | 0 | 6B | 96 BPM | ||
Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | ||
Mascagni: Cavalleria rusticana: No. 1, Siciliana, "O Lola ch'hai di lattl la cammisa" (Turiddu) | Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | F Minor | 0 | 4A | 97 BPM | ||
Macbeth / Act 1: Scena e Sestetto - Finale I: "Di destarlo per tempo il re m'impose" | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Antonio Savastano, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 2 | 3B | 94 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace | Wolfgang Amadeus Mozart, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 1 | 6B | 112 BPM | ||
Andrea Chénier (1994 Digital Remaster), ATTO SECONDO: Credo a una possanza arcana...Io non ho amato ancor...(Chénier/Roucher) | Umberto Giordano, Franco Corelli, Giuseppe Modesti, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 2 | 2B | 110 BPM |
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