"Don Giovanni, K. 527, Act I: Dalla sua pace" by Wolfgang Amadeus Mozart, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai was released on April 25, 2006. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Valletti: 1949-1952 by Cesare Valletti, Arturo Basile, Gianandrea Gavazzeni, Mario Rossi, Orchestra Sinfonica di Roma della RAI, Orchestra Sinfonica di Milano della RAI, Orchestra Sinfonica Di Torino Della Rai. The song's track number on the album is #1 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Don Giovanni, K. 527, Act I: Dalla sua pace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Don Giovanni, K. 527, Act I: Dalla sua pace by Wolfgang Amadeus Mozart, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Don Giovanni, K. 527, Act I: Dalla sua pace being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "Miei rampolli femminini" | Gioachino Rossini, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
La Clemenza di Tito: Atto primo, scena I. No.1 Duetto Sesto, Vitellia "Come ti piace imponi" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Freiburger Barockorchester, René Jacobs, Bernarda Fink | C Major | 1 | 8B | 93 BPM | ||
Turandot: Act III: Nessun dorma! | Giacomo Puccini, Franco Corelli, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | D Major | 4 | 10B | 108 BPM | ||
Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | D Major | 0 | 10B | 73 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: II. Adagio | Jenő Jandó, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 123 BPM | ||
Don Giovanni, K. 527: Vedrai, carino... | Wolfgang Amadeus Mozart, Teresa Berganza, Lorin Maazel | C Major | 0 | 8B | 99 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM |
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