"Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito"" by Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi was released on January 1, 1977. Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito" is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. This song is part of Verdi: Simon Boccanegra by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #3 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito" by Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito" being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Joshua - For Chorus, Contralto, Bass and Orchestra - Remastered | Modest Mussorgsky, Claudio Abbado, London Symphony Orchestra | C Major | 0 | 8B | 107 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | C Major | 4 | 8B | 95 BPM | ||
Turandot / Act 1: "Non piangere, Liu" | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan | E♭ Minor | 2 | 2A | 65 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Puccini: Tosca, Act 2 Scene 5: "Or gli perdono!" (Tosca) | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Carmen, WD 31 / Act III: "Si tu m'aimes, Carmen" | Georges Bizet, Sherrill Milnes, Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 98 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Hungarian Dance No.15 In B Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 88 BPM | ||
La Traviata / Act 2: "Né rispondi d'un padre all'affetto?... No, non udrai rimproveri" | Giuseppe Verdi, Sherrill Milnes, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 3 | 6B | 86 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Norma viene (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 2 | 5B | 127 BPM |
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