On 1957, the song "Partita No. 2 in C Minor, BWV 826: II. Allemande" was released by Johann Sebastian Bach, Glenn Gould. The duration of Partita No. 2 in C Minor, BWV 826: II. Allemande is about 3 minutes long, at 3:14. Based on our data, "Partita No. 2 in C Minor, BWV 826: II. Allemande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 8 out of 90. Based on our statistics, Partita No. 2 in C Minor, BWV 826: II. Allemande's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Partita No. 2 in C Minor, BWV 826: II. Allemande by Johann Sebastian Bach, Glenn Gould to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: Introduction [opening credits] | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | E Major | 0 | 12B | 84 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Pavan & Galliard No. 1 in C Minor | William Byrd, Glenn Gould | G Minor | 0 | 6A | 75 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
English Suite No. 2 in A Minor, BWV 807: V. Bourrée I | Johann Sebastian Bach, Glenn Gould | A Minor | 4 | 8A | 113 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Premier Nocturne in F Major - Remastered | Georges Bizet, Glenn Gould | D Major | 1 | 10B | 103 BPM |
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