William Byrd, Glenn Gould's 'Pavan & Galliard No. 1 in C Minor' came out on 1970. Since Pavan & Galliard No. 1 in C Minor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Glenn Gould's "Glenn Gould plays Renaissance & Baroque Music: Byrd; Gibbons; Sweelinck; Handel: Suites for Harpsichord Nos. 1-4 HWV 426-429; D. Scarlatti: Sonatas K. 9, 13, 430; C.P.E. Bach: "Württembergische Sonate" No. 1" album is number 1 out of 38. Pavan & Galliard No. 1 in C Minor is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pavan & Galliard No. 1 in C Minor by William Byrd, Glenn Gould to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro | Ludwig van Beethoven, Glenn Gould | F Minor | 1 | 4A | 164 BPM | ||
5 Klavierstücke, Op. 23: No. 5, Walzer | Arnold Schoenberg, Glenn Gould | D Major | 1 | 10B | 108 BPM | ||
Italian Concerto in F Major, BWV 971: III. Presto | Glenn Gould | F Major | 6 | 7B | 142 BPM | ||
Piano Sonata No. 21 In B Flat Major, D.960: IV. Allegro ma non troppo | Franz Schubert, Krystian Zimerman | B♭ Major | 1 | 6B | 73 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Piano Sonata No. 2, in G-Sharp Minor Op. 19 "Sonata Fantasy": I. Andante | Alexander Scriabin, Ivo Pogorelich | E Major | 0 | 12B | 81 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Préludes / Book 1, L. 117: VI. Des pas sur la neige | Claude Debussy, Arturo Benedetti Michelangeli | D Minor | 0 | 7A | 75 BPM |
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