"Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Coraggio! Un uomo era con te (Canio/Nedda/Tonio)" by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti was released on 1979. The duration of Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Coraggio! Un uomo era con te (Canio/Nedda/Tonio) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Coraggio! Un uomo era con te (Canio/Nedda/Tonio)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 22 out of 44. Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Coraggio! Un uomo era con te (Canio/Nedda/Tonio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: Coraggio! Un uomo era con te (Canio/Nedda/Tonio) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dicitencello vuje | Mario del Monaco | D♭ Major | 3 | 3B | 89 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Di quella pira | Mario del Monaco | C Major | 3 | 8B | 172 BPM | ||
Mattinata | Ruggero Leoncavallo, Wynne Evans, The City of Prague Philharmonic Orchestra, Richard Balcombe | E Major | 3 | 12B | 78 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM |
Section: 0.7505900859832764
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