Mario del Monaco's 'Di quella pira' came out on February 24, 1951. The duration of Di quella pira is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Di quella pira's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario del Monaco's "L'incredibile Mario del Monaco" album is number 1 out of 41. On top of that, Germany appears to be the country where this track was created. The popularity of Di quella pira is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Di quella pira by Mario del Monaco to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade (From 'The Student Prince') - Original | Mario del Monaco, Mario del Manaco, Annunzio Mantovani | E♭ Major | 4 | 5B | 85 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | F Major | 3 | 7B | 77 BPM | ||
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
Easter Hymn (from Cavalleria Rusticana) | The Accademia di Santa Cecilia Orchestra, Giulietta Simionato, The Accademia di Santa Cecilia Chorus, Tullio Serafin | G Major | 3 | 9B | 64 BPM | ||
Autunno | Mario del Monaco | B♭ Major | 2 | 6B | 88 BPM | ||
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Esultate | Mario del Monaco | F Major | 3 | 7B | 89 BPM | ||
Mamma | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 3 | 4A | 77 BPM |
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