"Dicitencello vuje" by Mario del Monaco had its release date on February 24, 1951. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Dicitencello vuje's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario del Monaco's "L'incredibile Mario del Monaco" album is number 3 out of 41. On top of that, Germany appears to be the country where this track was created. Dicitencello vuje is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dicitencello vuje by Mario del Monaco to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K. 527: Act II: Don Giovanni, a cenar teco (Andante: Il Commendatore, Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, Teodor Currentzis | D Minor | 2 | 7A | 124 BPM | ||
Norma: Act I: Vanne, si, mi lascia, indegno (Norma, Adalgisa, Pollione) | Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 7 | 9B | 109 BPM | ||
Mi fa male | Anna Netrebko | A Major | 4 | 11B | 82 BPM | ||
Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally) | Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | E Major | 1 | 12B | 84 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Ridi pagliaccio | Mario del Monaco | E Major | 4 | 12B | 120 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Core 'ngrato - 13/12/1946 Restauración 2024 | Beniamino Gigli, Orchestra of the Royal Opera House, Covent Garden, Rainaldo Zamboni | E♭ Major | 2 | 5B | 83 BPM | ||
Sadko: Song Of India | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 75 BPM | ||
Caro mio ben (Arr. Marriner) | Tomasso Giordani, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 96 BPM |