- BPM
- 66
- Key
- F♯ Major
- Camelot
- 2B
West Side Story: 9. One Hand, One Heart - Leonard Bernstein, Kiri Te Kanawa, José Carreras Information
- Acousticness
- 97%
- Danceability
- 9%
- Energy
- 2%
- Instrumentalness
- 2%
- Liveness
- 17%
- Loudness
- 52%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 8%
- Loudness
- -28.54 dB
Summary
"West Side Story: 9. One Hand, One Heart" by Leonard Bernstein, Kiri Te Kanawa, José Carreras was released on January 1, 1985. West Side Story: 9. One Hand, One Heart is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 7 out of 15 in Bernstein: West Side Story - Highlights by Leonard Bernstein, Leonard Bernstein Orchestra. West Side Story: 9. One Hand, One Heart is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
West Side Story: 9. One Hand, One Heart BPM
The tempo marking of West Side Story: 9. One Hand, One Heart by Leonard Bernstein, Kiri Te Kanawa, José Carreras is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
West Side Story: 9. One Hand, One Heart Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | |
 | Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | |
 | Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | |
 | Susannah / Act 2: "The trees on the mountain" | Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine | G Minor | 1 | 6A | 169 BPM | |
 | Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kiri Te Kanawa, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 0 | 6B | 88 BPM | |
 | Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | |
 | All I Ask Of You | José Carreras | D♭ Major | 2 | 3B | 79 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 2 "Abends will ich schlafen gehn" [Hänsel, Gretel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | G Major | 0 | 9B | 86 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7056317329406738
End: 0.7108628749847412