"Motet, SWV 501: Mit dem amphion zwar" by Heinrich Schütz, Ensemble Vocal Akadêmia, La Fenice, Françoise Lasserre, Jean Tubéry, Caroline Pelon, Françoise Masset, Hans-Jörg Mammel, Hervé Lamy, Christophe Laporte, Philippe Roche, Jean-Louis Georgel was released on 2010. Motet, SWV 501: Mit dem amphion zwar is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Schutz : Requiem musikalische exquien motetten". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. Motet, SWV 501: Mit dem amphion zwar is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Motet, SWV 501: Mit dem amphion zwar by Heinrich Schütz, Ensemble Vocal Akadêmia, La Fenice, Françoise Lasserre, Jean Tubéry, Caroline Pelon, Françoise Masset, Hans-Jörg Mammel, Hervé Lamy, Christophe Laporte, Philippe Roche, Jean-Louis Georgel having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dum transisset Sabbatum | John Taverner, Choir of Clare College, Cambridge, Graham Ross | D Minor | 1 | 7A | 76 BPM | ||
Say love if ever thou didst find | John Dowland, The Toronto Consort | G Major | 1 | 9B | 79 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Elevatio O miraculum! | Sébastien de Brossard, Sébastien Daucé, Ensemble Corrrespondances | C Major | 2 | 8B | 94 BPM | ||
Ecce vicit Leo | Peter Philips, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 2 | 6B | 118 BPM | ||
Da pacem, Domine, SWV 465 | Heinrich Schütz, Gerlinde Sämann, Isabel Schicketanz, Maria Stosiek, David Erler, Stefan Kunath, Tobias Mathger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Wolfgang von Kessinger, Matthias Müller, Juliane Laake, Sarah Perl, Frauke Hess, Stefan Maass, Stephan Rath, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann, Roderich Kreile | D♭ Major | 2 | 3B | 149 BPM | ||
Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
Membra Jesu nostri, BuxWV 75: IVa. Ad latus: Surge, amica | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM |
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