Heinrich Schütz, Gerlinde Sämann, Isabel Schicketanz, Maria Stosiek, David Erler, Stefan Kunath, Tobias Mathger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Wolfgang von Kessinger, Matthias Müller, Juliane Laake, Sarah Perl, Frauke Hess, Stefan Maass, Stephan Rath, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann, Roderich Kreile's 'Da pacem, Domine, SWV 465' came out on May 22, 2019. With this song being about 5 minutes long, at 5:16, "Da pacem, Domine, SWV 465" by Heinrich Schütz, Gerlinde Sämann, Isabel Schicketanz, Maria Stosiek, David Erler, Stefan Kunath, Tobias Mathger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Wolfgang von Kessinger, Matthias Müller, Juliane Laake, Sarah Perl, Frauke Hess, Stefan Maass, Stephan Rath, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann, Roderich Kreile is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Heinrich Schütz, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Psalmen & Friedensmusiken (Complete Recording Vol. 20)" album is number 1 out of 19. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Da pacem, Domine, SWV 465's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Da pacem, Domine, SWV 465 by Heinrich Schütz, Gerlinde Sämann, Isabel Schicketanz, Maria Stosiek, David Erler, Stefan Kunath, Tobias Mathger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Wolfgang von Kessinger, Matthias Müller, Juliane Laake, Sarah Perl, Frauke Hess, Stefan Maass, Stephan Rath, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann, Roderich Kreile to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guerrero: Sabes lo que heziste | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 1 | 1A | 130 BPM | ||
Vespro della beata Vergine (1610): Concerto - Duo Seraphim | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 82 BPM | ||
Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli) | Francesco Cavalli, Davy Cornillot, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
XXIV. Ach, wie elend ist unser Zeit | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Concerto in D Major, Op. 6 No. 1: IV. Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | C Major | 1 | 8B | 72 BPM | ||
Miserere: VII. Redde mihi laetitiam ; Docebo iniquos vias tuas - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 0 | 10A | 86 BPM | ||
Nascere Virgo potens: No. 2, O te felicem | Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Francesca Cassinari, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Three Elizabethan Partsongs: I. Sweet Day | Ralph Vaughan Williams, Quink Vocal Ensemble | E Minor | 0 | 9A | 91 BPM | ||
Frescobaldi: Messa sopra l'aria della monica: IV. Sanctus | Girolamo Frescobaldi, Choir of King's College, Cambridge, Stephen Cleobury | G Minor | 1 | 6A | 127 BPM |
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