"Nessun Dorma! (Turandot)" by Jussi Björling was released on March 3, 1931. The duration of Nessun Dorma! (Turandot) is about 3 minutes long, at 3:24. Based on our data, "Nessun Dorma! (Turandot)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. In terms of popularity, Nessun Dorma! (Turandot) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nessun Dorma! (Turandot) by Jussi Björling having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leoncavallo: Pagliacci, Act 1 Scene 4: "Recitar! Mentre preso dal delirio … Vesti la giubba" (Canio) | Ruggero Leoncavallo, Jussi Björling, Renato Cellini, The RCA Victor Symphony Orchestra | E Minor | 4 | 9A | 90 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
Massenet: Manon, Act 2 Scene 4: "Adieu, notre petite table" (Manon) | Jules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | G Minor | 0 | 6A | 163 BPM | ||
Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | ||
La farfalletta | Vincenzo Bellini, Cecilia Bartoli, James Levine | G Major | 0 | 9B | 101 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga | George Frideric Handel, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment | E Major | 0 | 12B | 117 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi) | Sir Thomas Beecham, Lucine Amara, RCA Victor Chorus, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, Victoria de los Ángeles, John Reardon, Jussi Björling | B♭ Major | 6 | 6B | 132 BPM |
Section: 0.6080193519592285
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