"Rinaldo, HWV 7: Lascia ch'io pianga" by George Frideric Handel, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment was released on September 2, 2016. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 18 in Aksel! Arias by Bach, Handel & Mozart by Aksel Rykkvin, Orchestra of the Age of Enlightenment, Nigel Short. In terms of popularity, Rinaldo, HWV 7: Lascia ch'io pianga is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rinaldo, HWV 7: Lascia ch'io pianga by George Frideric Handel, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | ||
Svanen | Camille Saint-Saëns, Arve Tellefsen | G Major | 1 | 9B | 76 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 2: "Possente spirto" (Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Bérengère Sardin, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 68 BPM | ||
Artaserse, Act III, Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Derek Lee Ragin | D♭ Major | 2 | 3B | 125 BPM | ||
Ebben? Ne andro lontano | Alfredo Catalani, Eva Marton, Pinchas Steinberg | E Minor | 1 | 9A | 86 BPM | ||
Reincarnations, Op. 16: III. The Coolin | Samuel Barber, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Minor | 1 | 6A | 103 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Wenn ich einmal soll scheiden, BWV 244 | Johann Sebastian Bach, Tenebrae, Nigel Short | F Major | 0 | 7B | 136 BPM | ||
Handel: Ode for the Birthday of Queen Anne, HWV 74: "Eternal Source of Light Divine" | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM |
Section: 0.5376491546630859
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