Sir Thomas Beecham, Lucine Amara, RCA Victor Chorus, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, Victoria de los Ángeles, John Reardon, Jussi Björling's 'La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi)' came out on 2002. The duration of La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Puccini : La Bohème". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi) by Sir Thomas Beecham, Lucine Amara, RCA Victor Chorus, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, Victoria de los Ángeles, John Reardon, Jussi Björling having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 2 | 6B | 78 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 82 BPM | ||
Kassya: Trepak | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | D Minor | 1 | 7A | 127 BPM | ||
Messiah, HWV 56: Part III, Scene 1: Since by man came death | George Frideric Handel, Sir Thomas Beecham, John McCarthy | B♭ Major | 1 | 6B | 85 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | B♭ Minor | 2 | 3A | 149 BPM | ||
Peer Gynt Suite No. 1, Op. 46: 1. Morning Mood | Edvard Grieg, Wiener Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 109 BPM | ||
Holberg Suite, Op. 40: I. Präludium (Allegro vivace) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 134 BPM |
Section: 0.8411684036254883
End: 0.8447794914245605