La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi)
Sir Thomas Beecham, Lucine Amara, RCA Victor Chorus, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, Victoria de los Ángeles, John Reardon, Jussi Björling
Puccini : La Bohème
2:10 2002
BPM
132
Key
B♭ Major
Camelot
6B

Embed

Share Link

La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi) - Sir Thomas Beecham, Lucine Amara, RCA Victor Chorus, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, Victoria de los Ángeles, John Reardon, Jussi Björling Information

Acousticness
76%
Danceability
47%
Energy
58%
Instrumentalness
3%
Liveness
35%
Loudness
80%
Speechiness
7%
Valence
32%
Popularity
Loudness
-11.928 dB

Summary

Sir Thomas Beecham, Lucine Amara, RCA Victor Chorus, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, Victoria de los Ángeles, John Reardon, Jussi Björling's 'La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi)' came out on 2002. The duration of La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Puccini : La Bohème". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi) BPM

With La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi) by Sir Thomas Beecham, Lucine Amara, RCA Victor Chorus, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, Victoria de los Ángeles, John Reardon, Jussi Björling having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi) Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Orfeo ed Euridice: Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? "Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS KammerchorG Major19B71 BPM
Prokofiev: Symphony No. 1 in D Major, Op. 25, Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. LarghettoSergei Prokofiev, André Previn, London Symphony OrchestraA Major011B104 BPM
Symphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivace by Franz Schubert, Wiener Philharmoniker, Claudio AbbadoSymphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivaceFranz Schubert, Wiener Philharmoniker, Claudio AbbadoB♭ Major26B78 BPM
Polovtsian Dances, from: Prince Igor: Moderato alla breve by Alexander Borodin, Berliner Philharmoniker, Herbert von KarajanPolovtsian Dances, from: Prince Igor: Moderato alla breveAlexander Borodin, Berliner Philharmoniker, Herbert von KarajanB Minor310A184 BPM
Gaîté parisienne: Barcarolle by Jacques Offenbach, Berliner Philharmoniker, Herbert von KarajanGaîté parisienne: BarcarolleJacques Offenbach, Berliner Philharmoniker, Herbert von KarajanD Major010B82 BPM
Kassya: Trepak by Léo Delibes, Slovak Philharmonic, Ondrej LenardKassya: TrepakLéo Delibes, Slovak Philharmonic, Ondrej LenardD Minor17A127 BPM
Messiah, HWV 56: Part III, Scene 1: Since by man came death by George Frideric Handel, Sir Thomas Beecham, John McCarthyMessiah, HWV 56: Part III, Scene 1: Since by man came deathGeorge Frideric Handel, Sir Thomas Beecham, John McCarthyB♭ Major16B85 BPM
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco by Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill KondrashinPiano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuocoPyotr Ilyich Tchaikovsky, Van Cliburn, Kirill KondrashinB♭ Minor23A149 BPM
Peer Gynt Suite No. 1, Op. 46: 1. Morning Mood by Edvard Grieg, Wiener Philharmoniker, Herbert von KarajanPeer Gynt Suite No. 1, Op. 46: 1. Morning MoodEdvard Grieg, Wiener Philharmoniker, Herbert von KarajanF Minor14A109 BPM
Holberg Suite, Op. 40: I. Präludium (Allegro vivace) by Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanHolberg Suite, Op. 40: I. Präludium (Allegro vivace)Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanG Major19B134 BPM
ISRC
GBAYC0200186
Label
L-M Records/RCA Records

Section: 0.8411684036254883

End: 0.8447794914245605