"An Irish Idyll in Six Miniatures, Op. 77 (Version for Voice & Orchestra): No. 2, A Fairy Lough" by Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews had its release date on June 7, 2024. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Stanford: Orchestral Songs". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. An Irish Idyll in Six Miniatures, Op. 77 (Version for Voice & Orchestra): No. 2, A Fairy Lough is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An Irish Idyll in Six Miniatures, Op. 77 (Version for Voice & Orchestra): No. 2, A Fairy Lough by Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Hebrew Love Songs: Temuná (A Picture) | Eric Whitacre, Eric Whitacre Singers | G Major | 0 | 9B | 73 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 5, O Flames of Passion | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | D Major | 2 | 10B | 84 BPM | ||
Ave verum corpus | William Byrd, Voices of Ascension Chorus, Dennis Keene | G Minor | 1 | 6A | 63 BPM | ||
Reincarnations, Op. 16: III. The Coolin | Samuel Barber, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Minor | 1 | 6A | 103 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Moonlit Melody | SERRENTO | A Minor | 0 | 8A | 90 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM |