"5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 5, O Flames of Passion" by Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews had its release date on June 7, 2024. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 5, O Flames of Passion's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Stanford: Orchestral Songs". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 5, O Flames of Passion is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 5, O Flames of Passion by Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Upon Your Heart | Eleanor Daley, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Major | 1 | 12B | 71 BPM | ||
4 Shakespeare Songs: No. 4. Full fathom five | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 1 | 4B | 89 BPM | ||
Der 13. Psalm, Op. 27 | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | G Major | 1 | 9B | 93 BPM | ||
Irish Songs and Ballads (Version for Voice & Orchestra): Chieftain of Tyrconnell | Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews | D Major | 2 | 10B | 84 BPM | ||
Nunc Dimittis: Nunc dimittis | Arvo Pärt, South Dakota Chorale, Brian A. Schmidt | A Major | 0 | 11B | 77 BPM | ||
Four Vocal Quartets with piano, Op. 92: I. O schöne Nacht! | Johannes Brahms, RIAS Kammerchor, Alain Planès | D♭ Major | 1 | 3B | 106 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
Tota pulchra es | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | E Major | 0 | 12B | 84 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM |