Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Victoire Bunel, Anthea Pichanick, Ana Quintans, Marielou Jacquard, Cyril Auvity, Isabelle Druet, Caroline Meng's ' "Coronis, Jornada segunda: No. 18, Menandro, ¿sabes qué voy temiendo?" was released on its scheduled release date, February 11, 2022. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. In terms of popularity, Coronis, Jornada segunda: No. 18, Menandro, ¿sabes qué voy temiendo? is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Coronis, Jornada segunda: No. 18, Menandro, ¿sabes qué voy temiendo? by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Victoire Bunel, Anthea Pichanick, Ana Quintans, Marielou Jacquard, Cyril Auvity, Isabelle Druet, Caroline Meng having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Qual mormorio giocondo: Recitative: Qual mormorio giocondo | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM | ||
Il diluvio universale, Act I "In Cielo": Prologo "Sinfonia" | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea, Evelyn Ramirez-Muñoz | D Minor | 1 | 7A | 83 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Ay de mí, que el llanto y la tristeza | Sebastian Durón, Maria Luiz Alvarez, Accentus Austria, Thomas Wimmer | F♯ Minor | 2 | 11A | 124 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Te Deum: VIII. Aeterna fac cum sanctis tuis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Esther Lay, Helen Charlston, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: IV. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM |