Matthew Locke, Rachel Podger, Brecon Baroque made "Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan" available on May 24, 2024. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "The Muses Restor'd". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan by Matthew Locke, Rachel Podger, Brecon Baroque having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todesbanden: IVb. Rittornello | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Artificiosus Concentus Pro Camera: IV. Aria | Johann Joseph Vilsmayr, Rachel Podger | B♭ Minor | 0 | 3A | 61 BPM | ||
Artificiosus Concentus Pro Camera: VI. Aria | Johann Joseph Vilsmayr, Rachel Podger | B♭ Minor | 0 | 3A | 61 BPM | ||
Sonata No. 1: II. Adagio | Carl Friedrich Abel, Petr Hejny | A♭ Major | 0 | 4B | 175 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
Concerto for Two Violins in D Minor, BWV 1063r: I. Allegro | Johann Sebastian Bach, Combattimento | D Minor | 4 | 7A | 176 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |
Section: 0.6857964992523193
End: 0.6908063888549805