"Ave Maria (Arr. from J.S. Bach's Prelude No. 1, BWV 846)" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Santina Lanza was released on May 15, 2012. The duration of Ave Maria (Arr. from J.S. Bach's Prelude No. 1, BWV 846) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Ave Maria (Arr. from J.S. Bach's Prelude No. 1, BWV 846)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #55. Based on our statistics, Ave Maria (Arr. from J.S. Bach's Prelude No. 1, BWV 846)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria (Arr. from J.S. Bach's Prelude No. 1, BWV 846) by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Santina Lanza having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | C Major | 4 | 8B | 115 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Lo schiaccianoci Suite, Op. 71a: Danse de la fee dragee | Radio Symphony Orchestra | E Minor | 2 | 9A | 112 BPM | ||
Sinfonia No. 4 in La maggiore, Op. 90 Italiana: Allegro vivace | Felix Mendelssohn, Tiziana Moneta, Gabriele Rota, Orchestra I Pomeriggi Musicali, Aldo Ceccato | A Major | 1 | 11B | 138 BPM | ||
Lieder und Gesänge für Orchester in E-Flat Major, Op. 49: No. 4, Wiegenlied | Slovak Philharmonic, Bohdan Warchal | F Major | 1 | 7B | 62 BPM | ||
Marcia Turca | Pianista Walter Steinman | A Major | 1 | 11B | 103 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 2 in C Minor, BWV 847 | Classical Coterie | C Minor | 3 | 5A | 101 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Waltzes in D-Flat Major, Op.64: No.1 Minute Waltz | Emiliano Bucci | F♯ Minor | 2 | 11A | 122 BPM |
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