Classical Coterie's 'The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 2 in C Minor, BWV 847' came out on September 7, 2020. With The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 2 in C Minor, BWV 847 being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Classical Coterie's "Johann Sebastian Bach: The Well-Tempered Clavier, Book 1, WV 846-869" album is number 3 out of 48. In terms of popularity, The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 2 in C Minor, BWV 847 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 2 in C Minor, BWV 847 by Classical Coterie to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Ivan Sings "Andantino" | Aram Khachaturian, Christopher Ferreira | A♭ Major | 0 | 4B | 74 BPM | ||
Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) | Johan Halvorsen, Natalia Lomeiko, Yuri Zhislin | G Minor | 1 | 6A | 81 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Menuett in G Minor, HWV 434/4 (Arr. by Wilhelm Kempff) | George Frideric Handel, Wilhelm Kempff | G Minor | 0 | 6A | 76 BPM | ||
Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "The Tempest": 3. Allegretto | Ludwig van Beethoven, Emil Gilels | D Minor | 2 | 7A | 104 BPM |
Section: 0.5789740085601807
End: 0.5825133323669434