"La Verbena de la Paloma, Act I: Prélude" by Tomás Bretón, Antoni Ros Marbá, Orquesta Sinfónica de Madrid had its release date on January 1, 1994. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tomás Bretón, Antoni Ros Marbá, Miguel Groba, Orquesta Sinfónica de Madrid, Coro De La Comunidad De Madrid's "La Verbena de la Paloma" album is number 1 out of 12. In terms of popularity, La Verbena de la Paloma, Act I: Prélude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Verbena de la Paloma, Act I: Prélude by Tomás Bretón, Antoni Ros Marbá, Orquesta Sinfónica de Madrid to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenata No. 13 Para Cuerdas, Pequeña Serenata Nocturna" K.525-Allegro | Wolfgang Amadeus Mozart, Inma Shara | G Major | 1 | 9B | 136 BPM | ||
La del Soto del Parral | Orquesta Y Coros Montilla | D Major | 2 | 10B | 92 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | ||
El pelele (The Straw Man) | Enrique Granados, Douglas Riva | B♭ Major | 2 | 6B | 80 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
Suite española No. 1, Op. 47: Sevilla (Sevillanas) | Isaac Albéniz, Alicia de Larrocha | D Major | 1 | 10B | 117 BPM | ||
Una Morena y una Rubia: "Seguidillas" | Coros Cantores De Madrid | B♭ Major | 4 | 6B | 92 BPM | ||
Bohemios, Act I: La Niña de Ojos Azules (Cosette, Pelagia) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Rosa Maria Ysas | B♭ Major | 2 | 6B | 64 BPM | ||
Canto a Murcia | Orquesta Sinfónica Española | A Major | 3 | 11B | 117 BPM | ||
La Traviata: "Intermezzo" | Yuri Sazonoff & Jerry Caringi | B Major | 1 | 1B | 127 BPM |